LOS ANGELES (AP) — The circumstances of Natalie Wood's drowning death nearly 30 years ago remain one of Hollywood's enduring mysteries and continue to create renewed intrigue, with homicide detectives unexpectedly re-opening a case Thursday that had long been classified as a tragic accident.
A Los Angeles County sheriff's detective will speak to reporters Friday about the decision to take another look at the Oscar-nominated actress' nighttime demise in the chilly waters off Southern California on Nov. 29, 1981. Wood drowned after spending several hours drinking on Catalina Island and a yacht with husband Robert Wagner, fellow actor Christopher Walken and the ship's captain.
Sheriff's spokesman Steve Whitmore said Thursday the renewed inquiry was prompted by unspecified new information about Woods' case. The Los Angeles Times quoted Sheriff Lee Baca as saying recent comments by the captain, Dennis Davern, who was interviewed for a book project and whose comments from a 2000 article by Vanity Fair are being featured on a new print edition and a "48 Hours Mystery" episode that focus on Hollywood scandals.
In the magazine, Davern is quoted as saying that Wood and Wagner fought in their cabin before the actress went missing. Coroner's officials ruled her death an accidental drowning, perhaps caused by her slipping off the boat while trying to tie down a dinghy.
Wood's death sparked tabloid speculation that foul play was involved, but Wagner and Wood's sister have dismissed any suggestion the actress' death was anything more than an accident. Coroner's officials at the time agreed, writing that Wood was "possibly attempting to board the dinghy and had fallen into the water, striking her face."
It is not the first time Davern has contradicted statements he and others made to investigators after Woods' death, and the magazine notes that he has told his story through tabloids and has been shopping for a book deal for years. Attempts to reach Davern were unsuccessful Thursday night.
Sheriff's officials are also hoping for tips from the public that may shed new light on how Wood, who was afraid of being in the water, ended up drowning.
"Although no one in the Wagner family has heard from the LA County Sheriff's department about this matter, they fully support the efforts of the LA County Sheriff's Dept. and trust they will evaluate whether any new information relating to the death of Natalie Wood Wagner is valid, and that it comes from a credible source or sources other than those simply trying to profit from the 30 year anniversary of her tragic death," Wagner spokesman Alan Nierob wrote in a statement.
Wood, a three-time Oscar nominee famous for roles in "West Side Story," ''Rebel Without a Cause" and other Hollywood hits, was 43 when she died. She and Wagner, star of the TV series "Hart to Hart," were twice married, first in 1957 before divorcing six years later. They remarried in 1972.
Lana Wood wrote in a biography on her sister, "What happened is that Natalie drank too much that night."
Wagner wrote in a 2008 autobiography that he blamed himself for his wife's death.
He recounted the night of Wood's disappearance, during which the couple and Walken drank at a restaurant and on the boat. Wood went to the master cabin during an argument between her husband and Walken. The last time Wagner saw his wife, she was fixing her hair at a bathroom vanity and she shut the door.
Wagner wrote that despite various theories about what led Wood to the water, which she feared, it was impossible to know what exactly happened.
"Nobody knows," he wrote. "There are only two possibilities; either she was trying to get away from the argument, or she was trying to tie the dinghy. But the bottom line is that nobody knows exactly what happened."
Later in the book, Wagner wrote, "Did I blame myself? If I had been there, I could have done something. But I wasn't there. I didn't see her."
He wrote that he has never returned to Catalina Island.
Phone and email messages to Walken's publicist were not returned Thursday. Walken and Wood were co-stars in "Brainstorm," which was the actress' final big screen role.
___
AP reporter Alicia Rancilio contributed to this report.
Read More:
http://news.yahoo.com/detectives-taking-look-natalie-woods-death
Tampilkan postingan dengan label singers. Tampilkan semua postingan
Tampilkan postingan dengan label singers. Tampilkan semua postingan
Jumat, 18 November 2011
Rabu, 16 November 2011
Drake : Biography
Biography
Known initially for his role as Jimmy Brooks on Degrassi: The Next Generation, Toronto, Ontario, native Drake (born Aubrey Drake Graham) stepped out as a rapper and singer with pop appeal in 2006, when he initiated a series of mixtapes. A year later, despite being unsigned, he scored major exposure when his cocky and laid-back track "Replacement Girl," featuring Trey Songz, was featured on BET's 106 & Park program as its "Joint of the Day." He raised his profile throughout the next several months by popping up on countless mixtapes and remixes, and as rumors swirled about contract offers from labels, he gradually became one of the most talked-about artists in the industry. It did not hurt that he had support from the likes of Kanye West, Jay-Z, and Lil Wayne. By the end of June 2009, "Best I Ever Had," a promotional single, had climbed to number two on Billboard's Hot R&B/Hip-Hop Songs chart. After a fierce bidding war, Drake signed with Universal Motown in late summer and released an EP (So Far Gone) made up of songs from his popular So Far Gone mixtape. It peaked at number six on the U.S. Billboard 200 chart and won a 2010 Juno Award for Rap Recording of the Year. Thank Me Later, a full-length featuring collaborations with the Kings of Leon, the-Dream, Jay-Z, Kanye West, and Lil Wayne, was issued through Young Money the following year. ~ Andy Kellman, Rovi
Read More:
http://music.msn.com/
New generation of music central to Occupy protests
NEW YORK (AP) -- The sound of insistent drumming bounces off the sides of nearby office towers announcing the location of the Occupy Wall Street home base long before its inhabitants are otherwise seen or heard.
Turn a corner in Zuccotti Park and you're likely to run into a drum circle or find someone strumming a guitar. Maybe it's an amateur trying to keep spirits up, or it could be the real deal — recording artists such as David Crosby and Graham Nash.
Find: More news on the 'Occupy' movement
Music and musicians are woven into the fabric of the Occupy Wall Street protest, much as they were in movements, confrontations and protests of the past, from the American Revolution to slavery to the Civil War, suffrage movement, labor movement, civil rights movement and Vietnam War. But no defining anthem such as "We Shall Overcome" or "Which Side Are You On" has yet emerged for the protesters who have taken on corporate America.
Related: Rappers take to mic in Oakland Occupy protest
"Every successful progressive social movement has a great soundtrack. The soundtrack (for Occupy Wall Street) is just as democratic and grass roots as the movement," said singer Tom Morello, who was given an MTV online music award for his performance of "The Fabled City" at Zuccotti Park last month. A clip of the performance has spread widely online.
Morello, who performs solo as The Nightwatchman and was a member of Rage Against the Machine, has also brought his guitar and sung at Occupy demonstrations in Los Angeles, San Francisco, Seattle, Vancouver, British Columbia, and Nottingham and Newcastle, England. Just before midnight Wednesday, he performed near a darkened kitchen area at a demonstration in London.
He has also volunteered to contribute to an album of protest songs that Occupy Wall Street is putting together as a fundraiser this winter.
If Occupy Wall Street has no anthem yet, it's partly due to how a new generation experiences music: through personalized iPod playlists streaming through headphones instead of communal singalongs.
True to a movement that claims to speak for the 99 percent of Americans who aren't super-rich, Occupy Wall Street embraces many forms of expression. Musicians across several generations and styles have given their support.
"The more the merrier as long as you're going to bring in positive vibrations for the movement," said Kanaska Carter, a singer-songwriter who traveled from her home in Canada to camp out at Zuccotti Park in downtown Manhattan near Wall Street. She helped arrange Morello's appearance and is shown in the video clip of his performance, standing near him holding a guitar.
Crosby and Nash's manager sent an email to Occupy Wall Street's website asking if the musicians could perform. Crosby quietly came a few days earlier to check out the scene, worried that cold weather would make it difficult for him to play guitar, said Beth Bogart, who helped show him around. The day of their visit was warm, however. Because police don't allow amplification, the performance was decidedly old school. The audience heard only as far as the singers' voices could project.
Bogart couldn't hear Crosby and Nash, but "you could just see the energy," she said. "When the whole audience started singing you could see their spirit lifted. It really was a good vibe."
Among the first New York performers was Jeff Mangum of Neutral Milk Hotel, an indie rock cult favorite who played a long set. Rapper Talib Kweli performed and so did Michael Franti. A 92-year-old Pete Seeger and Arlo Guthrie, veterans of the labor, peace and civil rights movements, sang "We Shall Overcome." Sean Lennon and Rufus Wainwright offered an irony-drenched version of Madonna's "Material Girl."
Kanye West and Katy Perry walked through Zuccotti, but didn't perform.
Then there are those drums, beaten steadily by about a dozen people who call themselves Pulse. Police and protesters have limited the hours of drumming to help neighbors work and occupiers sleep.
An Internet-connected, do-it-yourself culture allows people beyond those at Occupy demonstrations to join in. They can write their own songs and spread them on Twitter or YouTube. The band Atari Teenage Riot has made a new video for its song "Black Flag" that includes clips from Occupy demonstrations sent in by fans, said Shannon Connolly, vice president for digital music strategies at MTV. While she's staying in Zuccotti Park, Carter has written movement-inspired songs "Stand Up to Wall Street" and "Game of Chess" that she's put on her websites.
"The movement is not waiting for superstars to grace it with their presence," Morello said. "It's not waiting for a Diane Warren-penned anthem featuring Rihanna and Drake."
Occupy Wall Street's nature as a sometimes unfocused expression of dissatisfaction plays into the diversity, too, said Amy Wlodarski, a music professor at Dickinson College in Carlisle, Pa.
"There's no centralized musical figure because there isn't a coherent value that is going to be communally expressed in song," she said.
Yet from the earliest days of America, music has been a cornerstone of protests and conflicts and movements. Music provided a voice for the disenfranchised and stirred people to fight injustice. The Revolutionary War produced "The Liberty Song." "Follow the Drinking Gourd," with its escape directions for fleeing slaves, was the anthem of the underground railroad, while "Battle Hymn of the Republic" gave support to Union soldiers during the Civil War. Women fighting for the right to vote in the early 1900s had "Suffrage Song." There was even a protest song about lynching, the jazz-infused "Strange Fruit."
The labor and peace movements created some of the more enduring music, with such artists as Woody Guthrie, Pete Seeger and Bob Dylan. "We Shall Overcome" was born during a strike in 1945. Based on an early 20th century gospel song, it became the theme of the civil rights movement in the 1960s. Meanwhile, anti-war sentiments flared in such songs as "All Along the Watchtower," "Blowin' in the Wind," "Give Peace a Chance" and "What's Going On?"
Socially conscious music never went away. Such artists as Bruce Springsteen, OutKast and Bonnie Raitt continue to take on injustice. Others also give voice to social issues from the economy to anti-war to the environment to abuse. "We Are the World" galvanized anti-hunger efforts. Rappers such as Public Enemy and N.W.A. offered messages from the streets. Steve Earle puts a string of progressive causes to music and Neil Young recorded a disc of opposition to the Iraq War.
The more current protest music is not noticed as much as the music of the 1950s, 1960s and 1970s because music is increasingly a more individualized experience. People rarely gather at each other's homes and pump up the volume on their stereos for a shared listen of a hot album. Instead, friends might burn a CD for a buddy or share a download of a tune.
But if Occupy Wall Street needs a song to call its own, Texas songwriter James McMurtry's seething "We Can't Make it Here," written in 2004, is a virtual blueprint for the movement. It tumbles with images about damage done to the country through corporate greed and political neglect. McMurtry knew he had something the first time he played a version of the song, then unreleased, during a visit to an Austin radio station.
"I had some really nasty emails on my website before I had even gotten home," he said.
Hopeful that things might change, McMurtry stopped performing what is probably his best-known song when Barack Obama was elected. He has since started playing it again. McMurtry said he's going to make "We Can't Make it Here" available for free on his website in a gesture of solidarity, and is encouraging fans to make their own videos to accompany it.
"I'd be glad to let them use that song," he said. "Whatever helps."
Morello, who has done what amounts to a tour of Occupy demonstration sites, considers it his job as a musician to "keep steel in the backbone and wind in the sails of people who are standing up for economic justice."
"I've been down there a couple of times," said MTV's Connolly. "There's always music. It's sort of a thread that runs through it."
Read More :
http://music.msn.com/music/article.aspx?news=682914
Turn a corner in Zuccotti Park and you're likely to run into a drum circle or find someone strumming a guitar. Maybe it's an amateur trying to keep spirits up, or it could be the real deal — recording artists such as David Crosby and Graham Nash.
Find: More news on the 'Occupy' movement
Music and musicians are woven into the fabric of the Occupy Wall Street protest, much as they were in movements, confrontations and protests of the past, from the American Revolution to slavery to the Civil War, suffrage movement, labor movement, civil rights movement and Vietnam War. But no defining anthem such as "We Shall Overcome" or "Which Side Are You On" has yet emerged for the protesters who have taken on corporate America.
Related: Rappers take to mic in Oakland Occupy protest
"Every successful progressive social movement has a great soundtrack. The soundtrack (for Occupy Wall Street) is just as democratic and grass roots as the movement," said singer Tom Morello, who was given an MTV online music award for his performance of "The Fabled City" at Zuccotti Park last month. A clip of the performance has spread widely online.
Morello, who performs solo as The Nightwatchman and was a member of Rage Against the Machine, has also brought his guitar and sung at Occupy demonstrations in Los Angeles, San Francisco, Seattle, Vancouver, British Columbia, and Nottingham and Newcastle, England. Just before midnight Wednesday, he performed near a darkened kitchen area at a demonstration in London.
He has also volunteered to contribute to an album of protest songs that Occupy Wall Street is putting together as a fundraiser this winter.
If Occupy Wall Street has no anthem yet, it's partly due to how a new generation experiences music: through personalized iPod playlists streaming through headphones instead of communal singalongs.
True to a movement that claims to speak for the 99 percent of Americans who aren't super-rich, Occupy Wall Street embraces many forms of expression. Musicians across several generations and styles have given their support.
"The more the merrier as long as you're going to bring in positive vibrations for the movement," said Kanaska Carter, a singer-songwriter who traveled from her home in Canada to camp out at Zuccotti Park in downtown Manhattan near Wall Street. She helped arrange Morello's appearance and is shown in the video clip of his performance, standing near him holding a guitar.
Crosby and Nash's manager sent an email to Occupy Wall Street's website asking if the musicians could perform. Crosby quietly came a few days earlier to check out the scene, worried that cold weather would make it difficult for him to play guitar, said Beth Bogart, who helped show him around. The day of their visit was warm, however. Because police don't allow amplification, the performance was decidedly old school. The audience heard only as far as the singers' voices could project.
Bogart couldn't hear Crosby and Nash, but "you could just see the energy," she said. "When the whole audience started singing you could see their spirit lifted. It really was a good vibe."
Among the first New York performers was Jeff Mangum of Neutral Milk Hotel, an indie rock cult favorite who played a long set. Rapper Talib Kweli performed and so did Michael Franti. A 92-year-old Pete Seeger and Arlo Guthrie, veterans of the labor, peace and civil rights movements, sang "We Shall Overcome." Sean Lennon and Rufus Wainwright offered an irony-drenched version of Madonna's "Material Girl."
Kanye West and Katy Perry walked through Zuccotti, but didn't perform.
Then there are those drums, beaten steadily by about a dozen people who call themselves Pulse. Police and protesters have limited the hours of drumming to help neighbors work and occupiers sleep.
An Internet-connected, do-it-yourself culture allows people beyond those at Occupy demonstrations to join in. They can write their own songs and spread them on Twitter or YouTube. The band Atari Teenage Riot has made a new video for its song "Black Flag" that includes clips from Occupy demonstrations sent in by fans, said Shannon Connolly, vice president for digital music strategies at MTV. While she's staying in Zuccotti Park, Carter has written movement-inspired songs "Stand Up to Wall Street" and "Game of Chess" that she's put on her websites.
"The movement is not waiting for superstars to grace it with their presence," Morello said. "It's not waiting for a Diane Warren-penned anthem featuring Rihanna and Drake."
Occupy Wall Street's nature as a sometimes unfocused expression of dissatisfaction plays into the diversity, too, said Amy Wlodarski, a music professor at Dickinson College in Carlisle, Pa.
"There's no centralized musical figure because there isn't a coherent value that is going to be communally expressed in song," she said.
Yet from the earliest days of America, music has been a cornerstone of protests and conflicts and movements. Music provided a voice for the disenfranchised and stirred people to fight injustice. The Revolutionary War produced "The Liberty Song." "Follow the Drinking Gourd," with its escape directions for fleeing slaves, was the anthem of the underground railroad, while "Battle Hymn of the Republic" gave support to Union soldiers during the Civil War. Women fighting for the right to vote in the early 1900s had "Suffrage Song." There was even a protest song about lynching, the jazz-infused "Strange Fruit."
The labor and peace movements created some of the more enduring music, with such artists as Woody Guthrie, Pete Seeger and Bob Dylan. "We Shall Overcome" was born during a strike in 1945. Based on an early 20th century gospel song, it became the theme of the civil rights movement in the 1960s. Meanwhile, anti-war sentiments flared in such songs as "All Along the Watchtower," "Blowin' in the Wind," "Give Peace a Chance" and "What's Going On?"
Socially conscious music never went away. Such artists as Bruce Springsteen, OutKast and Bonnie Raitt continue to take on injustice. Others also give voice to social issues from the economy to anti-war to the environment to abuse. "We Are the World" galvanized anti-hunger efforts. Rappers such as Public Enemy and N.W.A. offered messages from the streets. Steve Earle puts a string of progressive causes to music and Neil Young recorded a disc of opposition to the Iraq War.
The more current protest music is not noticed as much as the music of the 1950s, 1960s and 1970s because music is increasingly a more individualized experience. People rarely gather at each other's homes and pump up the volume on their stereos for a shared listen of a hot album. Instead, friends might burn a CD for a buddy or share a download of a tune.
But if Occupy Wall Street needs a song to call its own, Texas songwriter James McMurtry's seething "We Can't Make it Here," written in 2004, is a virtual blueprint for the movement. It tumbles with images about damage done to the country through corporate greed and political neglect. McMurtry knew he had something the first time he played a version of the song, then unreleased, during a visit to an Austin radio station.
"I had some really nasty emails on my website before I had even gotten home," he said.
Hopeful that things might change, McMurtry stopped performing what is probably his best-known song when Barack Obama was elected. He has since started playing it again. McMurtry said he's going to make "We Can't Make it Here" available for free on his website in a gesture of solidarity, and is encouraging fans to make their own videos to accompany it.
"I'd be glad to let them use that song," he said. "Whatever helps."
Morello, who has done what amounts to a tour of Occupy demonstration sites, considers it his job as a musician to "keep steel in the backbone and wind in the sails of people who are standing up for economic justice."
"I've been down there a couple of times," said MTV's Connolly. "There's always music. It's sort of a thread that runs through it."
Read More :
http://music.msn.com/music/article.aspx?news=682914
Minggu, 23 Oktober 2011
Singer Loretta Lynn hospitalized with pneumonia
ASHLAND, Ky. – Country music singer Loretta Lynn was hospitalized over the weekend with the early stages of pneumonia, according to a representative of the performer.
The 76-year-old Lynn was scheduled to perform Saturday at the Performing Arts Center in Ashland, Ky. and Sunday in Durham, N.C., but the Kentucky center issued a news release saying she is in the hospital and would be unable to perform. The Kentucky theater says the show will be rescheduled.
Loretta Lynn Enterprises posted a statement on her website Saturday night that confirmed the cancellations due to illness.
“Doctors have diagnosed her as the beginning stages pneumonia, and will continue to need rest. Loretta is doing well and is disappointed but feels confident she will be ready for upcoming November dates.”
Calls by The Associated Press to representatives of Lynn were not immediately returned Saturday.
In August, Lynn canceled shows because of knee surgery. Before that, she returned to live performances with a show at the Grand Ole Opry after being forced to cancel shows in Ohio and Connecticut because she was hospitalized for heat exhaustion.
The daughter of a Kentucky coal miner, Lynn had a string of hits starting in the 1960s – “Coal Miner’s Daughter,” “You Ain’t Woman Enough,” “The Pill,” and “One’s on the Way.” Many of her songs reflected her pride in her humble background and her experiences as a wife and mother. Her 1977 autobiography was made into a movie that brought an Oscar for Sissy Spacek’s portrayal of Lynn. More recently, Lynn marked 50 years in country music and won two Grammy awards in 2005 for her album “Van Lear Rose.”
The 76-year-old Lynn was scheduled to perform Saturday at the Performing Arts Center in Ashland, Ky. and Sunday in Durham, N.C., but the Kentucky center issued a news release saying she is in the hospital and would be unable to perform. The Kentucky theater says the show will be rescheduled.
Loretta Lynn Enterprises posted a statement on her website Saturday night that confirmed the cancellations due to illness.
“Doctors have diagnosed her as the beginning stages pneumonia, and will continue to need rest. Loretta is doing well and is disappointed but feels confident she will be ready for upcoming November dates.”
Calls by The Associated Press to representatives of Lynn were not immediately returned Saturday.
In August, Lynn canceled shows because of knee surgery. Before that, she returned to live performances with a show at the Grand Ole Opry after being forced to cancel shows in Ohio and Connecticut because she was hospitalized for heat exhaustion.
The daughter of a Kentucky coal miner, Lynn had a string of hits starting in the 1960s – “Coal Miner’s Daughter,” “You Ain’t Woman Enough,” “The Pill,” and “One’s on the Way.” Many of her songs reflected her pride in her humble background and her experiences as a wife and mother. Her 1977 autobiography was made into a movie that brought an Oscar for Sissy Spacek’s portrayal of Lynn. More recently, Lynn marked 50 years in country music and won two Grammy awards in 2005 for her album “Van Lear Rose.”
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